Personal trajectories in (audio)visual anthropology in Brazil
Keywords:
Visual Anthropology, History of Anthropology, Cinema, Social SciencesSynopsis
This book was born from a collective experience forged in the heat of the pandemic, when the urgency to reinvent oneself gave rise to a project that goes beyond conventional academic work. It was in this spirit that more than 30 online meetings brought together researchers and lovers of (Audio)visual Anthropology. The conversations — long, intense, full of affection and memories — showed that “an audiovisual production is like a mirror of ourselves”. More than recording trajectories, the interviews revealed that the production of these researchers builds them as people, or in their words, “this is not my work, this is me”, as they are imbued with the “various worlds of life” that they have experienced, the crossings, the views and the listening that shape them as anthropologists. After all, “we only exist through images, we only think with images”, and it is precisely in the power of this image-based thinking that Anthropology merges with art, because, yes, “Anthropology is art”. The book also reflects on the tensions and contradictions of academic work, recognizing that “the university is not specifically in a bubble, it has only created other bubbles”, and that breaking these barriers requires courage to sustain true exchange processes. We learned that images are not complete, they do not contain meanings — quite the opposite, “images play on the side of incompleteness”, and in this, like pieces of a puzzle, they complete our lives, touch our feelings, that is, “they are that piece of something that touched a life”, opening cracks for that which cannot be put into words.
Being an anthropologist, more than a technique, must have the sensitivity to “sustain the gaze and the listening”, must know that their production has power. We learned that the image carries with it the soul of the person who produced it and of the person it portrays. We learned to see through other perspectives, such as “the indigenous gaze that passes through the lens”, the gaze of the black, peripheral, trans person, which helps us to shift our certainties and expand our perceptions. All of this reaffirms that, in (Audio)visual Anthropology, the encounter between aesthetics, politics and affection is never trivial, because, even if we have the impression that “beauty comes from far away”, it is close, within us, and carrying it requires sensitivity, commitment and, above all, boldness, because “without boldness nothing can be done”.
Chapters
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Presentation: a field in development
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Foreword - Between paths traveled and emerging challengesTrajectories, insurgencies and expansion of Brazilian (Audio)visual Anthropology
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Nothing can be done without boldness: interview with Bela Feldman-Bianco
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An audiovisual production is like a mirror of ourselvesinterview with Renato Athias
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We only exist through images, we only think with imagesinterview with Cornelia Eckert
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Anthropology is artinterview with Gabriel Alvarez
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“Beauty comes from afar”interview with Carmen Rial
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Images play on the side of incompletenessinterview with Marco Antonio Gonçalves
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That piece of stuff that touched a lifeinterview with Fabiana Bruno
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We have to keep looking and listeninginterview with Viviane Vedana and Rafael Devos
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The university is not specifically in a bubble, it has only created other bubblesinterview with Ana Paula Alves Ribeiro
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The indigenous gaze that passes through the lensinterview with Edgar Kanaykõ Xakriabá
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This is not my job, this is meinterview with Vi Grunvald
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The various worlds of life that I have experiencedinterview with Alexandre Fleming Câmara Vale
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Afterword - Visual Anthropology in BrazilTrajectories, Institutionalization and Contemporary Perspectives
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