Personal trajectories in (audio)visual anthropology in Brazil. Volume 1

He is a CNPQ productivity fellow (PQ2). Graduated in Social Sciences (Bachelor) from UFC (1994), Master's in Sociology from UFC (1999), PhD in Sociology from UFC (2005) and Post-Doctorate in Cultural Studies at the Advanced Program in Contemporary Culture at UFRJ (2011). He is currently an Associate Professor at the State University of Vale do Acaraú, Associate Researcher of the Post-doctorate in Cultural Studies at the Advanced Program in Contemporary Culture at UFRJ, professor on the permanent staff of the Graduate Program in Geography at UECE, is part of the permanent staff of the Professional Master's Degree in Sociology Teaching Network at UVA and was a permanent professor of the Academic Master's Degree in Geography between 2014 and 2019 at UVA. He coordinates the Laboratory of Memories and Daily Practices – Labome.

https://orcid.org/0000-0003-0324-3131

Graduated in History (1983-1987), with a Master's degree in Social Anthropology (1990-1994) from the Federal University of Rio Grande do Sul (UFRGS) and a PhD in Social Anthropology and Ethnology from the Ecole des Hautes Études en Sciences Sociales (EHESS, 1997- 2002). Professor (associate 3) of the Dept. of Anthropology and Archeology (Bachelor and Graduate in Anthropology) at the Federal University of Pelotas (UFPel), where he coordinates the Laboratory of Teaching, Research and Production in Anthropology of Image and Sound (LEPPAIS/ICH/UFPel), since 2008, and the Antropoéticas collective (CNPq Research Group). Researcher associated with the Institut dEthnologie Méditerranéenne, Européenne et Comparative (IDEMEC) linked to the Université Aix-Marseille/AMU and the Center National de Recherche Scientifique/CNRS, where she held a post-doctorate (2019-2020). Member of the Brazilian Association of Anthropology (ABA) since 1994.

https://orcid.org/0000-0002-3478-7708

Professor, researcher, audiovisual director and photographer, he is a doctoral student and master in Communication (UFPE), with emphasis on Indigenous Cinema and Documentary and Bachelor of Social Sciences (UFC), with emphasis on Visual Anthropology and Indigenous Ethnology. He has experience in the areas of cinema and audiovisual, documentary, photography, visual anthropology, ethnography and ethnology. He is a member of the Research Group “Contemporary Images” (PPGCOM/UFPE), of the International Network for Cooperation in Arts, Education and Humanities (RedArtH - Portugal), of the Organizing Committees of the extension projects IX International Festival of Ethnographic Film of Recife (UFPE ) and X Views (UVA - Sobral/CE). Member of the Brazilian Society for Cinema and Audiovisual Studies (Socine), the Association of Image and Movement Researchers (AIM - Portugal) and the Association for Documentary Films (Apordoc - Portugal). He was co-founder of the Image Anthropology Laboratory-LAI / UFC (2005) and founding partner of the Institute of Photography-IFOTO (Fortaleza, 2005).

https://orcid.org/0000-0002-1736-6821

She was a researcher at the Brazilian Institute of Geography and Statistics (IBGE) from 1975 to 1993, during which time she completed her master's degree in Social Anthropology at the National Museum - Federal University of Rio de Janeiro (UFRJ) (1988) and her doctorate in Social and Visual Anthropology. at the École des Hautes Études en Sciensces Sociales (EHESS), in Paris (1993). She joined the State University of Rio de Janeiro (UERJ) in 1994, where she offered the first Visual Anthropology course. In 2002, she presided over the Pierre Verger Prize from the Associação Brasileira de Antropologia (PPV/ABA), creating the PPV's first Prize for Photographic Essay; she coordinated the Visual Anthropology Committee of the Associação Brasileira de Antropologia (CAV/ABA) (2008-2010) and the organization of the Pierre Verger/ABA Award (2010). She is the Coordinator of the group Images, Narratives and Cultural Practices (INARRA), linked to UERJ / CNPq. His research interests are in the areas of Anthropology of Aging, Anthropology of Family & Generations and Visual Anthropology. She retired as Prof. Holder of the Institute of Social Sciences / UERJ, in August 2021. She made ethnographic films, published books and articles.

https://orcid.org/0000-0003-4676-9416

Master in Anthropology (1999), PhD in Sociology (2005) and post-doctorate in Visual Anthropology, all at the University of São Paulo (USP). Today, she works in the fields of Indigenous Ethnology and Visual Anthropology. Author of a series of ethnographic films, among them: “Happy New Year, old man!” (1999), “Jean Rouch, subverting Frontiers” (2001), “Amores de Circo” (2005), “O Aprendiz do Samba” (2012), “Nosso Território” (2018).

https://orcid.org/0000-0003-3672-8784

PhD in Social Anthropology from the University of São Paulo. She worked from 1991 to 2022 at the Laboratory of Image and Sound in Anthropology (LISA) at USP. She began her training in indigenous ethnology at the Ecole des Hautes Etudes in Sciences Sociales, obtaining her DEA in Social Anthropology (1987). She developed research in the Amazon among the Wayana and Aparai peoples, which resulted in her master's thesis (1994) and articles in the field of ethnomedicine. She later turned to visual anthropology, focusing on research among the Wayana of French Guiana, concluding her doctoral thesis (2004). Since 2006, she has been developing studies in the field of anthropology and information and communication technologies, interested in indigenous discourses in cyberculture, their film production and their audiovisual collections deposited in academic institutions. In 2008 and 2009, in her postdoctoral studies, she studied cybernetic appropriation by the Innu indigenous group, from Quebec (Canada). Between 2012-2016 she advised on projects with the Guarani, in the field of collaborative audiovisual production. Since 2014 she has been part of a French project (LESC-CNRS, Paris) for the creation of a wayana portal that will bring together audiovisual collections from private and institutional collections.

https://orcid.org/0000-0001-9117-4679

Graduated in Social Sciences from the University of Vale do Rio dos Sinos (Unisinos) (1987), Master in Social Anthropology from the Federal University of Santa Catarina (UFSC) (1992) and PhD in Anthropology from the Universidad Nacional Autónoma de México (2000). She attended Post Doctorate in Anthropology at UFSC (2008) and Post Doctorate in Anthropology at Universidad Autonoma de Barcelona. Full Professor at the Department of Anthropology at the Federal University of Rio Grande do Norte (UFRN). Coordinator of the Visual Anthropology Nucleus (NAVIS), Research Directory/CNPq-UFRN. Member of the Commission for Elaboration and Evaluation of the Audiovisual Production Classification Guide/CAPES. Member of the ANPOCS Image and Sound Commission in the 2001-2002 administrations and of the Visual Anthropology Working Group of the Brazilian Association of Anthropology (ABA) (2009-2010) and (2011-2012). President of the CAV Visual Anthropology Committee (CAV) of the ABA (2019/2020). Participates in the Thematic Network of Scientific Cooperation Communication, Citizenship, Education and Integration in Latin America (REDE AMLAT PROSUL. MCT/CNPq N 11/2008). She is currently the editor of the Revista de Antropologia of the Department of Anthropology / Graduate Program in Social Anthropology (DAN / PPGAS / UFRN).

https://orcid.org/0000-0001-6604-1911

Anthropologist, Full Professor at the Department of Anthropology at the University of São Paulo (USP). His research among the Bororo Indians of Mato Grosso resulted in two books: “Women, Men and Heroes - dynamics and permanence through the daily life of Bororo life” (FFLCH/USP, 1986) and “Jogo de Espelhos - images of self-representation through of others” (EDUSP, 1993). In 1991, she founded the Laboratory of Image and Sound in Anthropology (LISA-USP), of which she is the Coordinator. She coordinates the Visual Anthropology Group (GRAVI). Main publications in the area of ethnography and image: “Between Art and Science, photography in Anthropology” (EDUSP, 2015); Co-organizer of “The Image Experience in Ethnography” (Terceiro Nome and FAPESP, 2016) and “Image Writings” (EDUSP and FAPESP, 2004), in addition to numerous photos published in Brazil and abroad, and several articles on photography in a anthropological perspective. She co-directed with Alexandrine Boudreault-Fournier and Rose Satiko Hikiji the ethnofiction “Fabrik Funk”. Responsible Editor of GIS Magazine (Gesto Imagem e Som).

https://orcid.org/0000-0002-7415-2010

Pesquisadora do Instituto de Ciências Sociais do Instituto de Ciências Sociais da Universidade do Estado do Rio de Janeiro (ICS/UERJ) desde 1994, tornando-se professora a partir de 1999. Atua no campo da Antropologia Visual, foi uma das criadoras do Núcleo de Antropologia e Imagem (NAI) da UERJ e da revista Cadernos de Antropologia e Imagem. Na UERJ coordenou, desde 1999, o Atelier Livre de Cinema e Antropologia, com o professor Marc-Henri Piault École des Hautes Etudes en sciences sociales (EHESS), França. Ministrou cursos na graduação e especialização: Antropologia Visual; História da Antropologia Visual; Fotografia e Ciências Sociais; Introdução a Antropologia; Cinema e Antropologia; Uso da Imagem na Pesquisa; Métodos e Técnicas de Pesquisa Qualitativa, História do Filme Etnográfico. Orientou alunos em suas monografias e filmes. É também diretora da Interior Produções (1987), empresa de projetos culturais responsável por livros, exposições, filmes e pela realização do Festival de Cinema Mostra Internacional do Filme Etnográfico, desde 1993.

Associate professor at the Federal University of Paraíba (UFPB) in undergraduate and graduate courses in Anthropology, leader of the research group Visual Anthropology, Arts, Ethnographies and Documentaries (AVAEDOC), works with training and management of collections at the Laboratory of Visual Anthropology Arandu (UFPB) in Rio Tinto-PB. He carried out research on the use of images in the works of Roberto Cardoso de Oliveira, Curt Nimuendaju, Margaret Mead and Gregory Bateson, under the guidance of Etienne Samain (UNICAMP). He did postdoctoral training at the University of California, Berkeley, on the history of anthropology and photographic collections, under the supervision of Ira Jacknis. Director of the films “Passagem e Permanência” (2012) and “Memories Retomadas” (2015), he was curator in different editions of the International Festival of Ethnographic Film of Recife (FIFER), as well as in other Exhibitions, such as the 20th Edition of the Prize Pierre Verger (ABA) in 2016 and Mostra Arandu in 2020.

https://orcid.org/0000-0002-8705-6546

Filmmaker, member of the Kuikuro indigenous village, currently living in the Ipatse village, in the Xingu Indigenous Park. Takumã is recognized nationally and internationally for his films, having been awarded by the festivals: Festival de Gramado, Festival de Brasília do Cinema Brasileiro, Olhar de Cinema, Jornada Internacional de Cinema da Bahia, Ethnographic Documentary Film Festival, Festival Presence Autochtone de Terres in See. In 2017, he received the honorary “Queen Mary University London Scholarship” award. And he was, in 2019, the first indigenous juror of the Brazilian Film Festival in Brasilia.

Professor at the Department of Anthropology at the Faculty of Philosophy, Letters and Human Sciences at the University of São Paulo (FFLCH/USP). Vice-coordinator of the Laboratory of Image and Sound in Anthropology (LISA-USP). Coordinator of PAM (Research in Musical Anthropology), and vice-coordinator of GRAVI (Visual Anthropology Group). She has directed or co-directed several ethnographic films, including “AfroSampas” (2020), “Woya Hayi Mawe-Where are you going?” (2018), “Tabuluja” (2017), “Guitar Song: A Brazilian Soul” (2016), “The Eagle” (2015), “Fabrik Funk” (2015), “Art and the Street” (2011) , “Lá do Leste” (2010), “Cinema de Quebrada” (2008). She is currently developing the research “Being / becoming African in Brazil: Making music and African cultural heritage in São Paulo”, in partnership with Jasper Chalcraft, with support from the São Paulo Research Support Foundation (FAPESP). She is a CNPq productivity fellow. She is currently a visiting researcher at Università di Siena, Italy.

https://orcid.org/0000-0001-5038-8435

Geminiana nascida no mês das festas juninas, em Belém do Pará. Cursou História e Antropologia na Universidade Federal do Pará (UFPA), onde hoje atua como professora na Faculdade de Ciências Sociais e na pós-graduação em Sociologia e Antropologia. Trabalha com projetos de pesquisa e extensão na terra dos Aruans e de outros povos originários, lugar também conhecido como Marajó. Visagem é o nome do grupo de pesquisa que coordena e onde congrega pessoas que também atuam na Antropologia Visual. O GEPI é o grupo de estudos sobre populações indígenas - primeiro grupo de pesquisa da UFPA voltado para as pesquisas dos povos originários - foi fundado pela professora Eneida Correa de Assis e atualmente é coordenado por Denise Cardoso.

https://orcid.org/0000-0001-5318-784X

Nasceu e se formou em Teologia (exegese) na Universidade Católica de Lovaina Bélgica. No Brasil desde 1973, tornou-se antropólogo e fotógrafo, convivendo com as comunidades Kamayurá (Alto Xingu, MT) e Ka´apor (Maranhão). Interessou-se pelas imagens, desde aquelas presentes nas narrativas míticas até as que são produzidas pelas novas tecnologias. Enquanto se esforçava para fazer da Antropologia uma ciência não só de palavras, acabou por aproximá-la da Comunicação e da Arte. Professor titular aposentado do Programa de Pós-Graduação em Multimeios do Instituto de Artes da Universidade Estadual de Campinas (UNICAMP). Entre outros trabalhos, publicou o livro “Moroneta Kamayurá” (1991) e organizou as coletâneas “O fotográfico” (2005) e “Como pensam as imagens” (2012). Suas pesquisas recentes partem das obras de Gregory Bateson e de Aby Warburg para pensar a comunicação humana na perspectiva da Antropologia, da Epistemologia e da Estética.

https://orcid.org/0000-0001-7521-6576

https://orcid.org/0000-0001-6278-3838

Graduado em Comunicação Social com habilitação em Jornalismo pela Universidade Federal do Ceará – UFC (2007) e em História – Licenciatura Plena pela Universidade Estadual do Ceará – UECE (2004). Técnico em telecomunicações pelo Centro Federal de Educação Tecnológica do Ceará (CEFET-CE, atual IFCE). Especialista em Docência do Ensino Superior. Mestre em Geografia pela Universidade Estadual Vale do Acaraú – UVA (2019). Está vinculado ao Grupo de Estudos e Pesquisas de História Oral do curso de História da Universidade Estadual Vale do Acaraú – UVA. Cursa segunda licenciatura em Geografia pela Faculdade Estácio do Ceará. Atualmente coordena o conselho editorial da Editora SertãoCult.

https://orcid.org/0000-0002-2745-9132

https://orcid.org/0000-0001-6746-0464

https://orcid.org/0000-0003-4929-7696

https://orcid.org/0000-0002-9287-1801

https://orcid.org/0000-0001-7064-0028

https://orcid.org/0000-0002-7473-3317

https://orcid.org/0000-0002-9339-9131

https://orcid.org/0000-0001-6278-3838